I am not really a gear head but I really like spaces, acoustically and emotionally. I used to think that only expensive gear is used to make great sounding records. Aston is changing that and I think it’s a first that a well-priced microphone can stand up there with those historic heroes.
At home I have some APIs, Calrecs, and LaChapells. I guess mic pre wise, the LaChapells make me happy. I have been using a Starlight with that pre, recording acoustics. That blew me away, it really did. I wasn’t expecting it to sound that good and I think I wept a little. I recorded some Vivaldi with a pair of Starlights the other day, on the choir. It was banging – no band can beat an 80-piece orchestra and 80-piece choir. Again I wept. The Starlights delivered.
So then I thought 'stuff these guys at Aston, the bunch of show offs, I am going to do a mic shoot-out myself against my beloved Schoeps MK4'. But, the Starlights totally held up. Bastards!
I have a really nice Neumann M149 and I haven’t had the guts to put it up against the Origin I own. One day… The best thing about the Origin is the fact that you can hold it! When I am in a writing session I use it as a hand-held SM58 replacement. Singers love it – it sounds amazing. I use no fixed position, just a long lead and some headphones and it's all usable. Aston, Weep like you Mean it.